Saturday Book Review: Rick Riordan Presents “Aru Shah and the End of Time,” by Roshani Chokshi; plus “The Isle of the Lost,” by Melissa de la Cruz, Robert Venditti & Kat Fajardo; and “Tim Burton’s ‘The Nightmare Before Christmas: A Petrifying Pop-Up for the Holidays'”
(That dog loves to be read to. Photo by Nancy Ellen Row Rawley)
“Live in the sunshine, swim in the sea, drink the wild air.” – Ralph Waldo Emerson
Book reviews! Fun stuff.
This is part of the Rick Riordan Presents series. “Aru Shah and the End of Time: A Pandava Novel, Book One” by Roshani Chokshi (Disney-Hyperion, 2018, 355 pages, $16.99). Chokshi, who also wrote “The Star-Touched Queen” and “A Crown of Wishes,” has written a great young adult novel that I’m hoping is turned into a film someday. Oh, wait! Looks like Paramount Pictures landed the rights.
Our heroine, Aru, plays kind of fast and loose with the truth. Her schoolmates find her out when they discover she’s working at the Museum of Ancient Indian Art and Culture (where her mother is curator) and not taking a fancy vacation like she told them she was. They don’t believe that the museum’s Lamp of Bharata is cursed and here, our story begins. Great to read a book that focuses on Hindu mythology, with an Indian girl as the main character.
The next book in the series, “Aru Shah and the Song of Death” will be released in April, 2019.
“The Isle of the Lost,” by Melissa de la Cruz, adapted by Robert Venditti, with art by Kat Fajardo, and lettering by Leigh Luna (it’s a labor of love, this one) is a very cool graphic novel. (Based on the “Descendants” novel, from Disney-Hyperion, but of course, 2018, $21.99). Nice art — all purples, greens and reds — that rises off the pages and invites you in. The plot is a little all over the place, but I think I’m the only one who’s going to have a problem with that, not Disney fans. A lost scepter; a big cast of familiar characters; Diablo (Maleficent’s evil raven); Dr. Facilier, the strange MC — it’s good fun. The story: Disney villains and their family members are given the heave-ho from the Kingdom of Auradon and sent to the Isle of the Lost.
Things get weird.
Tim Burton’s “The Nightmare Before Christmas: A Petrifying Pop-Up for the Holidays” was just released (Disney Editions, 2018, $65). Matthew Reinhart worked hard on this one, and it’s amazing. Save it for the teenagers and grown-up “Nightmare” buffs; keep it on the shelf and only let the babies admire it under supervision. It’s an outstanding work of art.
Bon appetit, babies.
WM
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